3d Vesta | Pop up Shrine card | 3d art Vesta | 3d維斯塔女神殿

3d Vesta | Pop up Shrine card | 3d art Vesta | 3d維斯塔女神殿
Pop up The Shrine of Vesta card -How to cut and fold make The Shrine of Vesta 3d card.-3d維斯塔女神殿


3d Vesta | Pop up Shrine card | 3d art Vesta | 3d維斯塔女神殿
Pop up The Shrine of Vesta card -How to cut and fold make The Shrine of Vesta 3d card.-3d維斯塔女神殿.Paper Size : A4
This is a demonstration of how to cut and fold make The Shrine of Vesta pop up card. Interested people can download the pattern to make their own The Shrine of #Vesta pop-up cards.
這是示範如何做#3d維斯塔女神殿 彈出卡片,有興趣的人可以下載圖案自行製作維斯塔女神殿彈出卡片.

Many people think that paper is something that is outdated.. After all, now you can just send a sticker in social networks. It is simple and fast, does not require any costs or time. However, the more so, a hand-made postcard will surprise the recipient and will let him know that you really tried to make something pleasant.

#popup card
Pop-up-postcards are postcards with three-dimensional elements that are unfold when you open a postcard. The art of pop-up is a wonderful opportunity to create something completely unique and unique from plain paper Unique artistic traits and hand-made value.

It is quite simple to make the card, for this you will need: colored paper, cardboard, scheme, cutter, glue, scissors, pencil, ruler, printer and computer. You can make such crafts with your child, developing his imagination and drawing skills.

許多人認為紙張已經過時了。畢竟，現在你可以在社交網絡中發送貼紙了。 它簡單快捷，不需要任何費用或時間。 然而，更多的是，手工製作的明信片會給收件人帶來驚喜，讓他知道你真的想要做一些令人愉快的事情。

彈出式明信片是明信片，具有三維元素，當您打開明信片時會展開。 彈出式藝術是一個絕佳的機會，可以用普通紙創造出獨特而獨特的東西獨特的藝術特質和手工製作的價值。

製作卡片非常簡單，為此您需要：彩色紙，紙板，方案，刀具，膠水，剪刀，鉛筆，尺子，打印機和計算機。 您可以與您的孩子一起製作這樣的工藝品，發展他的想像力和繪畫技巧。

Suitable for children to play-適合小孩兒童玩.影片為割紙及摺紙過程.免費提供下載圖案使用
The template download is FREE at https://drive.google.com/file/d/1wpqArsecgopacegd2yyfaPBwnr5MsYze/view?usp=sharing
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Kirigami (切り紙) is a variation of origami that includes cutting of the paper, rather than solely folding the paper as is the case with origami, but typically does not use glue.
In the United States, the term "Kirigami" was coined by Florence Temko from Japanese kiri "cut," kami "paper", in the title of her 1962 book, Kirigami, the Creative Art of Papercutting. The book was so successful that the word kirigami was accepted as the western name for the art of paper cutting.
Typically, kirigami starts with a folded base, which is then unfolded; cuts are then opened and flattened to make the finished kirigami. Simple Kirigami are usually symmetrical, such as snowflakes, pentagrams, or orchid blossoms. A difference between Kirigami and the art of "full base", or 180 degree opening structures, is that Kirigami is made out of a single piece of paper that has then been cut.
Origamic architecture is a form of kirigami that involves the three-dimensional reproduction of architecture and monuments, on various scales, using cut-out and folded paper, usually thin paperboard. Visually, these creations are comparable to intricate 'pop-ups', indeed, some works are deliberately engineered to possess 'pop-up'-like properties. However, origamic architecture tends to be cut out of a single sheet of paper, whereas most pop-ups involve two or more. To create the three-dimensional image out of the two-dimensional surface requires skill akin to that of an architect.
Origin
The development of origamic architecture began with Professor Masahiro Chatani's (then a newly appointed professor at the Tokyo Institute of Technology) experiments with designing original and unique greeting cards. Japanese culture encourages the giving and receiving of cards for various special occasions and holidays, particularly Japanese New Year, and according to his own account, Professor Chatani personally felt that greeting cards were a significant form of connection and communication between people. He worried that in today's fast-paced modern world, the emotional connections called up and created by the exchange of greeting cards would become scarce.
In the early 1980s, Professor Chatani began to experiment with cutting and folding paper to make unique and interesting pop-up cards. He used techniques of origami (Japanese paper folding) and kirigami (Japanese papercutting), as well as his experience in architectural design, to create intricate patterns which played with light and shadow. Many of his creations are made of stark white paper which emphasizes the shadowing effects of the cuts and folds. In the preface to one of his books, he called the shadows of the three-dimensional cutouts created a "dreamy scene" that invited the viewer into a "fantasy world."

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