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Kirigami (切り紙) is a variation of origami that includes cutting of the paper, rather than solely folding the paper as is the case with origami, but typically does not use glue.

In the United States, the term "Kirigami" was coined by Florence Temko from Japanese kiri "cut," kami "paper", in the title of her 1962 book, Kirigami, the Creative Art of Papercutting. The book was so successful that the word kirigami was accepted as the western name for the art of paper cutting.

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Origamic architecture is a form of kirigami that involves the three-dimensional reproduction of architecture and monuments, on various scales, using cut-out and folded paper, usually thin paperboard. Visually, these creations are comparable to intricate 'pop-ups', indeed, some works are deliberately engineered to possess 'pop-up'-like properties. However, origamic architecture tends to be cut out of a single sheet of paper, whereas most pop-ups involve two or more. To create the three-dimensional image out of the two-dimensional surface requires skill akin to that of an architect.
Origin
The development of origamic architecture began with Professor Masahiro Chatani's experiments with designing original and unique greeting cards. Japanese culture encourages the giving and receiving of cards for various special occasions and holidays, particularly Japanese New Year, and according to his own account, Professor Chatani personally felt that greeting cards were a significant form of connection and communication between people. He worried that in today's fast-paced modern world, the emotional connections called up and created by the exchange of greeting cards would become scarce.

In the early 1980s, Professor Chatani began to experiment with cutting and folding paper to make unique and interesting pop-up cards. He used techniques of origami and kirigami , as well as his experience in architectural design, to create intricate patterns which played with light and shadow. Many of his creations are made of stark white paper which emphasizes the shadowing effects of the cuts and folds. In the preface to one of his books, he called the shadows of the three-dimensional cutouts created a "dreamy scene" that invited the viewer into a "fantasy world."

At first, Professor Chatani simply gave the cards to his friends and family. Over the next nearly thirty years, however, he published over fifty books on origamic architecture, many directed at children. He came to believe that origamic architecture could be a good way to teach architectural design and appreciation of architecture, as well as to inspire interest in mathematics, art, and design in young children.

Professor Chatani also spent a good deal of time, even after his retirement, traveling to exhibit his work. He frequently collaborated on books and exhibits with Keiko Nakazawa and Takaaki Kihara.
Types of origamic architecture
There are several different styles of origamic architecture. In one style, a folded paper is cut in such a way that when the paper is opened to form a 90-degree angle, a three-dimensional image can be created, similar to most pop-up books. A second style requires attaching a cut-out form to a base sheet of paper with thread.
Uses in Architectural Design
Origamic architecture has become a tool many architects use to visual the 2D as 3D in order to expand and explore on a design idea. There are ways of doing origamic architecture using CAD( Computer-Aided-Design). CAD uses laser cuts to speed the cutting process along allowing for precise forms to be made. AI design programs still are in development, architects have been searching for solutions to their design struggles.

Origamic架構是一種形式的剪紙涉及的三維再現體系結構和紀念碑，不同尺度，使用切口和折疊的紙，通常是薄紙板。從視覺上看，這些作品可與復雜的“彈出窗口”相媲美，實際上，有些作品是經過精心設計的，具有“彈出式”特性。然而，原始建築傾向於從單張紙上剪下來，而大多數彈出窗口涉及兩張或更多張。要從二維表面創建三維圖像，需要類似於建築師的技能。